Thursday, April 20, 2017

Updateable

It's past the Witching Hour.  Too early to get up for work.  Mind running.  (Yes, I know... I'm supposed to meditate to help with that.  I know.)  Since I'm up, I visit my canvas friends.



Two large canvases that may or may not be companion pieces.  I think they look great together.  The one on the left is black and grey.  The right is Dioxizine Purple and grey.  Each canvas is 24" x 48".


 A shot of the Dioxizine Purple featured on the canvas on the right.  I've had more than one art instructor tell me, "Don't use Dioxizine Purple."  "It's garish."  "It's unnatural."  "It will take over your whole palette."  Don't tell me not to do something.  I'm stubborn.  I'm going to do it just to spite somebody.

I do what I want.


Mixing black from a limited palette.  Alizerin Crimson, Sap Green, and Ultramarine Blue.  This makes a cool (blue-ish) black with a ratio of 3 parts Alizerin, 2 parts Sap, and 6 parts Ultramarine.  This black is also the base for all my greys and it works as a toner when used in small amounts to cut back the brightness of a color.

In other news, I got a new job.  Pretty much the same as the old job, but better.  I have just a couple of weeks left before Summer Break from school, and I'll have news of a gallery show coming soon.


3 comments:

  1. https://www.instagram.com/karimelenartist/

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  2. Wow. You've got it goin' on, Kari! Love your two might-be-companion canvases. I couldn't tell at Instagram if I was looking at one piece or two side-by-side; now I know!

    I laughed at your dioxazine purple discussion—I use it all the time!

    Fun to learn how you mix black.

    What's your new job?

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    Replies
    1. Hi Dotty! My new job is as a quality inspector for prototype circuit boards for the space industry. I'm super excited about it. I have been doing similar work for quite a number of years but this job will be much more intensive (since the parts are for space flight).

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